One of the earliest known uses of ceramic tiles can be traced back to ancient Mesopotamia (modern-day Iraq) around 4,000 BCE. These early tiles were made from Clay and were used to decorate walls and floors. Ceramic tiles were also prominent in ancient Egypt, where they were used for both practical and decorative purposes. Tiles adorned with colorful designs and hieroglyphics have been found in ancient Egyptian tombs and palaces. The Greeks and Romans further developed the art of ceramic tiles. In ancient Greece, tiles were predominantly used for mosaics and murals, featuring intricate patterns and scenes. The Romans utilized tiles extensively in their bathhouses, villas, and public buildings.

Islamic civilization played a significant role in the history of ceramic tiles. Intricate geometric patterns and Arabic calligraphy became prominent features in Ceramic tile designs during the Islamic Golden Age (8th to 15th centuries). The famous blue and white tiles known as "azulejos" emerged during this period, particularly in regions such as Spain and Portugal. During the Renaissance period, ceramic tiles experienced a resurgence in Europe. Italian artisans developed new techniques, such as maiolica and majolica, which involved applying colorful glazes to tiles. These decorative tiles were used in churches, palaces, and private residences.

Some of our ancestors have lit a fire at a point where the water has well compacted the soil and found that the earth has hardened under the fire and has accidentally turned into clay. Our predecessors learned to shape clay and by putting them in the sun and drying and baking them on fire and by achieving the first hard ceramic vessels, they realized that better results can be obtained.

Shaped and baked objects are mainly pottery vessels for food. The oldest discovered works are the bowls that were baked directly on the fire. They date back to 1600 BC and were found and dated in China. Until a few years ago, those discovered in Japan were thought to be older, dating back to 120 BC. These primitive objects in their crude and unrefined forms, or primitive forms, have come down to us in an incredible way, showing their extraordinary durability.

Until the mid-1930s, the tile and ceramic industry in the Middle east was managed manually, until with the introduction of advanced industrial equipment, we saw the establishment of modern tile and ceramic factories in the Middle East. With the establishment of tile and ceramic factories in different cities of Asia, both domestic needs were met and exports flourished. Iran's tile and ceramic industry currently ranks 6th in the world and is one of the most strategic industries for Iran's economy, which has been able to significantly increase Iran's export balance. Tile and ceramic factory in Iran can play an important role in earning foreign currency for the country.

A real revolution that could be thanks to the invention of the potter's wheel, which facilitated the production of objects such as vases, plates and jugs. Compared to the primitive handicrafts, now it is possible to obtain objects that are less distorted, more symmetrical and more harmonious. The combination between the continuous rotation of the surface holding the wet clay and the hands shaping it. It helps to improve the production technique and thin the walls of objects. It is said that these are always containers for storing water and Food and they are made with a practical view and not decorated.

The Industrial Revolution in the 18th and 19th centuries brought significant advancements in tile production. Mechanization and technological innovations allowed for mass production of ceramic tiles, making them more accessible to a wider population. In the 20th century, ceramic tile production continued to evolve with the introduction of new materials, glazes, and manufacturing techniques. This led to a broader range of tile designs, sizes, and finishes. Today, ceramic tiles are manufactured using modern machinery, and digital printing technology enables the creation of intricate and realistic patterns.